#iphone 13 mini — Page 3 of 23

Merseyway Shopping Centre car park, Stockport, 2025

A close-up view of a tall, brutalist concrete building with vertical columns and geometric patterns. The weathered façade features deep grooves, angular cut-outs, and repeating rectangular forms. The sky above is overcast, adding a sombre tone.

A concrete wall with a grid of geometric cut-outs in various shapes lets light and glimpses of sky through, casting shadows and creating a pattern of rectangles and squares across the surface.

A tall, weathered concrete structure with a faded green door and peeling paint displays a large blue “PRIMARK” sign at the top. The building stands on a rain-soaked rooftop car park under a grey, overcast sky.

A wet, empty rooftop car park under a cloudy sky features a tall, dark brick tower in the centre, surrounded by white, weathered concrete barriers and posts. The scene looks desolate and industrial, with reflections visible on the rain-soaked ground.

A heavily weathered concrete barrier with rectangular cut-outs stands on a rooftop. Through the central cut-out, a car park and distant buildings are visible under a cloudy grey sky, creating a sense of urban decay and overcast atmosphere.

The ghost of WHSmith past, Stockport, 2025

A black rectangular plaque with the white block letters W, H, and S stacked vertically, each in its own outlined square. The plaque is set into a textured white wall with a repeating geometric pattern resembling 3D rectangles.

Regent House, Stockport, 2025

A tall beige building with many square windows, labelled “Regent House” with a blue sign near the top, stands under a cloudy sky. There are trees in the foreground and part of another building visible to the right.

A close-up, upward-facing view of a tall, grey concrete building with many evenly spaced square windows arranged in a grid pattern. Most windows are dark, but one near the lower right corner has sheer white curtains. The sky is faintly visible at the top.

Stockport Telephone Exchange (1971 extension), 2025

A grey, three-storey, concrete building with small, rectangular windows arranged in rows. Two cars, a silver hatchback and a silver saloon, are parked in front. The scene is overcast and wet, with patches of greenery to the right.

Details of Petersgate House, Stockport, 2025

A modern building facade with a grid of square windows set in dark, speckled panels. There are six rows of windows, and a streetlamp is visible in the foreground centred near the lower part of the image.

A textured building façade features three large mesh panels with bold white “V” shapes. A streetlamp stands in front, casting a shadow. The pavement below is wet, and two small no parking signs are visible on the dark brick wall.

The curse of the streetlamp strikes again.

Tiling, Milton Keynes, 2025

A tiled wall features a large geometric design: a big white semicircle fills most of the space, with a centred brown circle inside it. The tiles are arranged in a grid, and sunlight streams in from upper windows above the artwork.

This shopping centre has gone by multiple names: all of them bad.

Spiral staircase at Manchester Victoria railway station, 2025

A green metal spiral staircase with mesh railings stands outdoors, sheltered partially by round roofs. It is attached to a modern building, next to a fence and construction barriers, with a cloudy sky and city buildings in the background.

The Mint Building, City of London, 2025

A modern glass building façade with a grid of repeating rectangular windows, each framed by metal and covered with dark, louvred shutters. The reflections of the sky and nearby structures are visible in the glass panels.

Originally designed by Peter Foggo, constructed in 1997-99. Currently due to undergo refurbishment which will remove the brise soleil, which is part of the building’s striking look.

Baynard House, City of London, 2025

A building with 4 floors of continuous thin-framed aluminium windows, as well as vertical ribbed concrete between each floor. At the bottom, a series of metal horizontal vents and an entrance to an underground carpark.

The building was designed by William Holford incorporating a separation of pedestrians from streets, with a first-floor adjoining walkway along Queen Victoria Street that connects to Blackfriars station.
Baynard House, London – Wikipedia

Streets in the sky! Definitely one to go back to. It is, however, a nightmare to photograph, owing to the coach parking out front.