#tiling — Modernist Delights

Wedgwood Building, Stafford, 2025

Low-angle view of a multi-storey brick building with large rectangular windows, some open. The facade features vertical concrete columns and patterned stone panels. The sky above is partly cloudy. A security camera is mounted near the bottom corner.

Stafford railway station, 2025

A modern railway station with multiple railway tracks in the foreground and a platform with a large concrete building above. There is a footbridge with glass panels, people waiting on the platform, and posters on the walls. Trees and a partly cloudy sky are visible.

A concrete railway station platform with a lift at the centre. Bicycles are parked nearby, and a cyclist with a blue jacket stands beside one. Signs include “NO CYCLING.” Railway tracks and another platform are visible through the yellow-tinted windows.

A close-up view of a wall covered with small square greyish-blue tiles. The tiles have a slightly rough, textured surface, and some areas on the left show discolouration or staining in a brownish tone. The overall pattern appears grid-like and repetitive.

Two people walk away down a long, enclosed pedestrian walkway with frosted windows and blue steel beams. The corridor is brightly lit, with a dark floor, yellow safety lines, and a sign above pointing to “Lifts”.

A blue door set into a concrete wall is partially blocked by an overhead ramp. A yellow warning sign and a no smoking sign are visible on the door. A propped-up yellow platform and a sign with an upward arrow and text are also seen nearby.

Frosted glass wall with vertical panels and blue triangular metal supports. A small green emergency exit sign with a running figure and arrow is mounted on the white wall below. The wooden ceiling is partially visible at the top.

A modern railway station platform with a concrete staircase in the centre, a green and white train stopped in the background, and a person standing near the train doors. Overhead lights and signage are visible under the wooden roof.

Three tall, narrow windows with frosted glass let in diffused light, surrounded by wooden panelling. The surrounding room is dark, highlighting the bright, vertical rectangles of the illuminated window panes.

A narrow metal walkway with a blue door at the end, bordered by yellow and black hazard stripes above. The walkway is flanked by concrete and railings with orange handrails, located inside a car park with some daylight visible outside.

A modern railway station with concrete and glass architecture, featuring a glass-enclosed pedestrian bridge above railway tracks, platforms below with people and bicycles, and a square tower structure in the background under a partly cloudy sky.

Springfield House, Chelmsford, 2025

A row of three-storey commercial buildings with shops on the ground floor, including Rohan and RUN Active, under a clear blue sky. People walk along the brick-paved pedestrian street, and leafy trees line the pavement.

A four-storey brown brick office building with two glass doors at the ground level, flanked by retail shops. A purple “To Let” sign hangs above the entrance. The building has many windows, some reflecting the blue sky.

A three-storey building with boarded-up top-floor windows, large white-framed windows on the middle and lower floors, and a colourful geometric mural along the bottom, with painted signs advertising indoor games like escape rooms and shuffleboard.

Derelict office block for a sunny Saturday afternoon.

Humane Building, Preston, 2025

The 18^th and 19^th century site of the Roast Beef Inn, replaced in 1926 by the premises of the “Preston Humane Assurance Collecting Society”. The building features pleasant although deteriorating cream tiling on the first floor of its facade. In 2025, it is the premises of Mr. Booze Express and the Rotana Restaurant & Cafe.

Tiling, Milton Keynes, 2025

A tiled wall features a large geometric design: a big white semicircle fills most of the space, with a centred brown circle inside it. The tiles are arranged in a grid, and sunlight streams in from upper windows above the artwork.

This shopping centre has gone by multiple names: all of them bad.

Prince Charles Cinema, Westminster, London, 2025

A marquee on the Prince Charles Cinema displays “QUEENS OF THE STONE AGE ALIVE IN THE CATACOMBS.” The cinema’s black awning is below, and the building above has patterned windows. The sky is partly cloudy.

After a short period supporting the dramatic arts, the venue was reinvented as a kind of soft porn cinema, and began showing European arthouse movies with “a level of nudity that British and American cinema wasn’t ready for”.
Wikipedia

Not a straight-up soft porn cinema, god forbid, just a kind of one.

Thom Building, Oxford, 2025

A large, square, concrete and glass building with multiple floors, seen from the front. It has many windows, a flat roof, and a central pole with lights in front. Trees and other buildings are visible on either side under a cloudy sky.

Metal exterior staircase with three flights and railings attached to a brick building. Yellow caution lines on the middle stairs. A blue bicycle and various equipment are underneath. Grass, trees, and a fence are on the left; pavement and a road are in front.

A rectangular sign reading “Department of Engineering Science” is mounted above large windows on a concrete and brick building. Metal barriers are visible in front of the entrance, and reflections can be seen in the upper windows.

A multi-storey modernist building with large, rectangular windows and concrete columns. The facade includes areas of dark brick. An outdoor metal stairway is visible on the left side. The sky is partly cloudy in the background.

Tiling detail at Moorgate station, London, 2025

A close up shot of small square tiles. They are primarily amber, and as they reflect in the light you can see the pattern embedded within them goes in different directions. There are also two bands of black tiles, one towards the top, and one at the very bottom.

Bradford Magistrates’ Court, 2025

Check out the tiling at the bottom of the first picture, as well as the funky geometric pattern on the wall in the second picture.