#brutalism

Showing 21–30 of 59 results

Riviera International Centre, Torquay, 2025

A paved path leads to blue and green tennis courts, separated by fences. A large, modern building with Riviera Centre signage stands in the background, surrounded by trees. The sky is partly cloudy, and the foreground shows dry, patchy grass.

A large, modern concrete building labelled “RIVIERA CENTRE” has balconies and palm trees in front. Two parked cars and two people standing near a sign are visible. The sky is partly cloudy, and the area looks clean and well-maintained.

A modern, grey concrete leisure centre with large mirrored windows reflects the sky. A yellow Waves sign is on the upper wall. Bushes and palm trees surround the entrance. A paved path and grassy area with rocks are in front, under a partly cloudy sky.

A dense cluster of palm fronds grows in front of black metal garage doors set into a concrete building. The pavement consists of grey interlocking bricks. A red and white ‘No entry’ sign is mounted on the left side of the structure.

A grey, concrete building with RIVIERA CENTRE in bold letters at the top. A large circular window is above three blue doors. The lower facade features dark brickwork. Some plants and bicycle racks are visible near the pavement in the foreground.

Conference & leisure centre, designed by Module 2 and built 1984-87. For a gold star, spot the disinterested boyfriend.

Stopford House, Stockport, 2025

A large, concrete brutalist building with many rectangular windows is shown on a cloudy day. The photo is taken from a low angle, highlighting the repetitive geometric design and textured façade of the structure.

A multi-storey concrete building with rows of identical rectangular windows, featuring a brutalist architectural style. The facade is textured and repetitive, with an open entrance area at the bottom centre. Some trees are partially visible at the edges.

A concrete building with two terraces covered in overgrown greenery and moss. The wall features vertical slits and rectangular vents. In front, a large yellow grit bin sits on wet brick paving under a cloudy, grey sky.

A tall, grey concrete building with vertical lines stands on a rainy day. A pine tree grows in a circular planter at the centre front. The building has narrow windows and a modern, brutalist architectural style. Trees and wet pavement are visible in the foreground.

A large, grey, concrete office building with many rows of small rectangular windows, surrounded by overgrown plants, bushes, and trees under a cloudy, grey sky. The foreground includes a paved walkway and neglected landscaping.

A weathered concrete wall with vertical narrow rectangular openings, resembling prison bars. The wall has dark stains along the top and bottom, with textured lines running vertically and horizontally. Some faint green moss grows near the base.

A downward concrete stairway with yellow-edged steps leads to a turquoise metal gate blocking access to a dimly lit, grimy subway. Wet patches and fallen leaves are on the steps; a round light fitting is mounted above the entrance.

Details of Petersgate House, Stockport, 2025

A modern building facade with a grid of square windows set in dark, speckled panels. There are six rows of windows, and a streetlamp is visible in the foreground centred near the lower part of the image.

A textured building façade features three large mesh panels with bold white “V” shapes. A streetlamp stands in front, casting a shadow. The pavement below is wet, and two small no parking signs are visible on the dark brick wall.

The curse of the streetlamp strikes again.

Baynard House, City of London, 2025

A building with 4 floors of continuous thin-framed aluminium windows, as well as vertical ribbed concrete between each floor. At the bottom, a series of metal horizontal vents and an entrance to an underground carpark.

The building was designed by William Holford incorporating a separation of pedestrians from streets, with a first-floor adjoining walkway along Queen Victoria Street that connects to Blackfriars station.
Baynard House, London – Wikipedia

Streets in the sky! Definitely one to go back to. It is, however, a nightmare to photograph, owing to the coach parking out front.

Exeter Switching Centre seen from Exeter Central railway station, 2021

A railway station platform with a metal footbridge overhead, a large concrete building in the background, and a white sign displaying the number 15 near the tracks. The station appears empty and the sky is overcast.

Photomator randomly opened to this photo I never posted, so I guess it’s fate.

Holder Building, Oxford, 2025

View looking up between two Brutalist buildings connected by two elevated walkways, one with glass panels and another with a curved metal covering. The buildings have rough concrete and brick textures, with some windows and vents visible. Trees can be seen below.

A large concrete building with four storeys of horizontal windows, each floor lined with continuous glass panels. The structure has a tall, plain stairwell tower on the left and is surrounded by dense green foliage and some red-leaved bushes in front.

A tall, modern concrete building with narrow vertical windows and textured walls. The facade features glass panels with horizontal metal dividers. A transparent, curved canopy is in the foreground, and leafy branches appear on the right side.

Concrete steps with a metal railing lead to a glass entrance door framed in dark red, set in a modern concrete building. The wall on the right is textured. Large windows above reflect another building. A ramp runs beside the steps.

A low-angle view of a tall, grey concrete building with narrow, rectangular windows. Green leafy trees partially frame the lower right and left edges, and the sky is partly cloudy in the background.

Dunelm House behind Kingsgate Bridge, Durham, 2023

A large, angular concrete pedestrian bridge crosses over a lush river, supported by V-shaped pillars. Behind it, a modernist grey building with angular rooftops sits among dense green trees under a bright blue sky with scattered clouds.

Sir Thomas White Building was an Arup design, which made me realise I never posted this – Kingsgate Bridge, the last structure designed by Ove Arup.

Sir Thomas White Building, St John’s College, Oxford, 2025

A small car park with several cars is surrounded by older brick buildings with ivy on the left and modern windowed buildings ahead. Trees and greenery line the area. A white barrier and a “danger” sign are visible in the foreground. The sky is overcast.

A modern concrete and stone building with angular windows and vertical supports stands beside a cobblestone path, bordered by a stone wall. Lush green trees partially obscure the structure, and the sky is overcast.

A concrete and stone building with tall, narrow windows and vertical, ribbed concrete supports on the facade. The structure has a modern, brutalist style and is partially shaded by a leafy tree on the right. Sunlight appears from the upper left corner.

A close-up of a brutalist building features large concrete bay windows with black frames and curtains drawn inside. Moss grows on ledges, and leafy green trees are visible on the left side, adding contrast to the angular concrete structure.

Brutalist Five Guys (Oxenford House), Oxford, 2025

A beige, modernist building with five rows of square windows is shown. The ground floor has a FIVE GUYS sign. Reflections of trees and a church tower are visible in the windows. The sky is cloudy.

Cromwell Tower, Barbican Estate, London, 2025

In the foreground of the picture, the Barbican Centre is visible, with a white-clad cafe to the right, a round staircase clad in darkened glass, and 3 concrete ventilation towers. In the background, against a dark blue sky, a concrete tower block rises.